Starting from the four principles of Pólya's problem-solving method, by analogy, in this paper we propose a new method of philosophical counseling. Thus, the objectives of this study are as follows: the review of several methods of philosophical counseling; justifying the need for a new method, which we called the IPAA method; developing the four principles – the principle of identification (I), the principle of planification (P), the principle of application (A) and the principle of assumption (A). In order to (...) achieve these, we took into account the fact that the nature of the philosophical problems faced by the clients of the philosophical counselors, whether they are existential, moral or metaphysical, can be solved on their own. Therefore, we argued that if in the first instance, clients really need the input of the philosophical counselors, as long as the latter uses the IPAA method – a problem-solving method – they can offer clients the opportunity to self-counsel. The novelty of the IPAA method consists in the fact that it offers the client, assisted and guided at the beginning by the counselor, the possibility to carry out the act of counseling outside the office, being empowered to apply the four methodical principles mentioned above. The present study is relevant in that the new IPAA method, a method focused on solving everyday problems, is a useful method for both philosophical counselors, as its application in the office helps them to train the clients in researching, understanding and assuming their own lives, as well as for the clients, because if they are assisted in the first instance by the counselor's expertise, they can independently clarify and solve their daily difficulties. (shrink)

The article seeks to explore the mindset of young émigré poets of the 1920s–1930s, to identify possible ideological influences on the literature and literary criticism of the first wave of Russian emigration and to determine the spiritual origins of the ‘Paris Note.’ Among many other influences on the young émigré poetry (Henri Bergson, Nikolai Berdyaev, Vasily Rozanov, Nikolai Fedorov and others) the influence of Lev Shestov’s philosophy is particularly evident. However, it manifested itself not directly but indirectly, mainly through the (...) Parisian critic Georgy Adamovich, who, unlike young poets, read Shestov carefully and appreciated him very highly. The philosophy of Adamovich’s poetry, which brought to life the phenomenon of the ‘Paris Note,’ had many parallels with Shestov’s thoughts. Hence the unexpected concordance between the central issues and artistic practice of the participants of the ‘Paris Note’ and Existentialism emerging in the 1930s in the literature of France. (shrink)